I Like Underground Hip-Hop So Fuck You.

I fucking hate when people hate on underground hiphop/indie hiphop/backpacker rap. Now I'm not in favor of kids who front like they are down but don't know shit, but just because someone likes indie hip-hop that is no reason to hate on them. Fools try to act like its so fucking embarrassing to listen to "nerd rap," "emo rap," "backpacker rap" or whatever the fuck term they are calling it now. People try to act like you should actually be fucking ashamed to listen to this stuff. Fuck those motherfuckers, I'll listen to my anticon right after I play some fucking wutang, ditc, geto boys, spice1, nwa or whatever the fuck I want to hear. Fuck a bitchmade motherfucker trying to front on shit as if it’s beneath them. If you don’t like the music that’s fucking fine but if you’re fronting on it because you think it makes you a nerd well then fuck you because you’re just a pussy ass bitch.

I like Sage Francis and I don't particularly give a fucking shit what some cocksmoking keep it real motherfucker thinks. Sage is dope and if you disagree then you're fucking dumber than shit. Dude has style and can destroy a stage with his live show. What bothers me about these backpack haters is that because I listen to someone like Sage it’s assumed that I'm some kind of stupid new jack that doesn't know shit or that I’m some pussy ass nerd who is scared to go to the hood. Then there are the motherfuckers try to assume I like so called "frat rap" like dilated, j5's quality control, or some bullshit like slum village. Fuck that shit. Do I look like I’m making payments on a fucking scion? People need to dead this backpacker shit, its so fucking played out and retarded. Slum Village is for guys put highlights in their pubic hair. I have had shits with more potential than dilated peoples songs and those fuckers got flushed down the toilet.

Then you have these fucks that front on rise of indie hip-hop in the late 90's as if it was the death of this music. I'm sorry but you people are fucking retards. The indie/underground wave was probably one of the best things that could have happened at the time. Shit was stagnant as a motherfucker and this brought some new ideas and fresh blood. I was fucking grateful for it. The same way I'm grateful for the rise of crunk music and the south in general. Shit is boring and these new styles bring life back into the music. It gets motherfuckers to step up and stop doing the same old tired shit. Shit the same year Fun Crusher dropped goddamn Puffy’s stellar ass piece of shit record, No Way Out. Yeah that was a real winner, fucking Christ that record was about as stimulating as a bad case of the shits.

People try to front on Company Flow's first record like it was so nerdy or whatever. Yeah it was different and weird but you know what? It was fucking dope, and it is a landmark in the history of hip-hop. That record no matter what anyone thinks or says about it will always represent the rise of this whole indie hip-hop phenomenon. CoFlow gave kids the idea that you could disregard any of rules that restricted the music. With the release of FunCrusher Plus came the explosion of underground hip-hop that affected all regions of this scene. Freestyle Fellowship had been doing things in LA for years and kids where paying attention. It wasn't until the late 90's that people would really see the impact they had on the underground. Their influence would affect pretty much every single crew within the indie hip-hop community. Where many of these crews surpassed the blowedians was by doing something that for the most part artists from blowed sucked at, releasing actual albums and getting people to buy them

I like DoseOne and I don't give a fuck if some dumb pussy motherfucker thinks he's "gay" because his voice is high and he raps about his cat or some shit. That motherfucker has skills and he makes me fucking smile. If you think he's whiny fine but if you've never heard Dose flip shit then you are missing out and its your own bitchass fault so fuck you. The Them album is dope as fuck and you can't deny Jel's skills on the SP1200. If you're enough of a bitch to front on him then you need to lose some teeth.

Some people don’t like underground hip-hop fans because they claim they are pretentious assholes on some elitist nerd shit. I don’t think I’m that much of an elitist. I don’t think you have to be “smart” to listen to this shit. I just think you need to not be a fucking pussy. If this music is too “weird” for you then I think you’re a fucking pussy ass bitch. Straight up, motherfuckers are pussies when it comes to music that might challenge their traditional bullshit. Fuck you motherfuckers just man the fuck up and check some new shit. If you don’t like it fine but don’t write shit off because some dumb fucking cocksmoke in Vice or XXL told you Buck65 was for nerdy whiteboys. If you don’t even bother to peep game before you decide you don’t like them then you are a fucking bitch, no question.

Music does not make you cool. Not being a fucking bitchmade cunt is what makes you cool. Get it right you stupid sons of bitches. I’m not trying to argue that bullshit “this is real hip-hop” argument that dumbcock 4 elements kids use. Fuck that “the real hip-hop is over hear” softness. Real hip-hop is rap that doesn’t suck shit. Get your fucking weight up bitch.